Production History
(Includes playwright, title, producing company and year of premiere/production)
Donal O’Kelly. Asylum! Asylum! Abbey Theatre. (1994)*
Paul Mercier. Native City. Passion Machine. (1998)
Donal O’Kelly. Farawayan. Calypso Productions. (1998)
Joe O’Byrne. It Come Up Sun. Passion Machine. (2000)
Eithne McGuinness. Limbo. (2001)
Roddy Doyle. Guess Who’s Coming for the Dinner. Calypso Productions. (2001)
Ken Harmon. Done Up Like A Kipper. Abbey Theatre. (2002)*
Jim O’Hanlon. Buddhist of Castleknock. Fishamble: The New Play Company. (2002)*
Devised by the company. Steps. Upstate Theatre Project. (2002)
Ola Rotimi. The Gods Are Not To Blame. Arambe Productions. (2003)
Charlie O’Neill. Hurl. Barabbas. (2003)*
Devised by the company. African Voices. Project Arts Centre. (2003)**
Maeve Ingolsby. Mixing it on the Mountain. Calypso Productions/Tower of Babel. (2003)
Athol Fugard. Master Harold and the Boys. Calypso Productions. (2004)
Donal O’Kelly. The Cambria. Benbo Productions (Formerly Donal O’Kelly Productions). (2005)*
Sonja Linden. I Have Before Me A Remarkable Document Given To Me By A Young Lady From Rwanda. Calypso Productions. (2005)
Jimmy Murphy. The Kings of the Kilburn High Road. Arambe Productions. (2006)
Dermot Bolger. The Townlands of Brazil. axis: Ballymun. (2006)
Bisi Adigun. Once Upon A Time & Not So Long Ago. (2006)*
Donal O’Kelly. Operation Easter. Calypso Productions. (2006)
Bisi Adigun and Roddy Doyle. The Playboy of the Western World: A New Version. Arambe Productions/Abbey Theatre. (2007)
Ama Ata Aidoo. The Dilemma of a Ghost. Arambe Productions. (2007)
Paul Meade. Mushroom. Storyteller’s Theatre. (2007)*
Declan Gorman. At Peace. Upstate Theatre Project. (2007)
Natalia Kostrewza. More Light. Office Box Theatre. (2007)
Zulu Sofola. Wedlock of the Gods. Camino Productions. (2007)
Athol Fugard. Sizwe Bansi is Dead. Camino Productions. (2008)
Charlie O’Neill. Dodgems. CoisCéim Dance Theatre. (2008)
JC DeGraft. Through A Film Darkly. Arambe Productions. (2008)
Phillip Ridley. Fairytaleheart. Calypso Productions/Tower of Babel. (2008)
The Gombeens (Miquel Barreto and Jonathan Gunning). Stories of a Yellow Town. (2008)
Victoria Fradgely. Never After. Tabs Theatre. (2009)
Fiona Quinn. Voyage of the Orphans. County Limerick Youth Theatre. (2009)
Devised by the company. Journey from Babel. Upstate Theatre Project. (2009)
Bisi Adigun. The Playboy of the Sunny South East. Waterford Youth Arts. (2009)
Radosław Paczocha. Scent of Chocolate. Polish Theatre Ireland. (2010)
Noelia Ruiz. The Cappuccino Culture. Smock Alley Theatre. (2010)
Michael Collins. Same Difference World Apart. Traveller Wagon Wheel Theatre Company. (2010)
Bisi Adigun. The Butcher Babes. Arambe Productions. (2010)
Kunle Animashaun. Pitfalls. Camino Productions. (2010)
Devised by the company. Chesslaugh Mewash. Polish Theatre Ireland. (2011)
Devised by the company. The Mango Tree. Upstate Theatre Project. (2011)
Kunle Animashaun. Drumbeats. Camino Productions. (2012)
Alice Coghlan. Sylvia’s Quest. Wonderland Productions. (2012)
Sawa Le! Arts Collective Theatre. On Our Way. Sawa Le! Arts Collective Theatre. (2012)
Radosław Paczocha. Delta Phase. Polish Theatre Ireland. (2012)
Bisi Adigun. The Paddies of Parnell Street. Arambe Productions. (2013)
Julia Holewińska. Foreign Bodies. Polish Theatre Ireland. (2013)
Julia Holewińska. Bubble Revolution. Polish Theatre Ireland. (2013)
Mirjana Rendulic. Broken Promise Land. Stones Throw Theatre. (2013)*
Devised by the company. Document. Abbey Theatre and Justice for the Undocumented. (2013)
Devised by the company. Except Me. Clondalkin Towers Drama Group. (2013/2014)
Devised by the company. Fragments. Tallaght Community Arts. (2014)
Devised by the company. Change Deployed. From the Inside Out, Tallaght Community Arts. (2014)
Delphine Coudray. It Doesn’t Rub Off. Oulala Productions. (2014)
Grace Harrison. The Coping Class. Grae Eagle Theatre Company. (2014)
Kunle Animashaun. A Shadow from the Past. Tallaght Community Arts. (2014)
*Denotes published.
** While not an Arambe production, this piece was presented by a group of artists led by Bisi Adigun, many of whom would continue to work with Arambe after its formation.
Companies
(Companies listed have been formed on the basis of migrant/intercultural themes or their output has engaged significantly with these themes since the mid-1990s)
Arambe Productions [2003-present]
http://www.arambeproductions.com
Calypso Productions [1993-2008]
Tower of Babel [2002-2008]
http://www.irishplayography.com/company.aspx?companyid=24
http://homepage.eircom.net/~calypso/about.html
Camino Productions [1998-present]
https://www.facebook.com/pages/Camino-Productions/129708607131741
Polish Theatre Ireland [2008-present]
https://polishtheatre.wordpress.com
Sawa Le! Arts Collective Theatre [2012-present]
https://www.facebook.com/pages/Sawa-Le-Arts-Collective-Theatre/384869394926407
Upstate Theatre Project [1997-present]
Louth International Theatre Project [2009-2011]
http://upstate.ie
Community Arts Projects/Initiatives
St. Patrick’s Festival (City Fusion) [2007-present]
http://www.stpatricksfestival.ie/community
Spirasi [2005-2007]
http://spirasi.ie/art/index.shtml
DRA Youth Theatre [2012-2013]
http://publicspaceperformance.com/projects.html
Friars’ Gate Side by Side Integration Programme [2012-present]
http://www.friarsgate.ie
From the Inside Out, Tallaght Community Arts [2014-present]
https://www.youtube.com/watch?v=73OAvwt6Kqk
Policy Documents
Arts Council. Cultural Diversity and the Arts: Policy and Strategy. 2010. http://www.artscouncil.ie/uploadedFiles/Main_Site/Content/Artforms_and_Practices/Arts_Participation_pages/Cultural-diversity-and-the-arts-policy%20and%20strategy.pdf. Accessed 20 January 2015.
Deirdre Healy. Artists of Distinction: Mapping Survey of Ethnic Minority Artists in Ireland. Dublin: Creative Activity for Everyone, 2002.
Daniel Jewesbury, Jagtar Singh, and Sarah Tuck. Cultural Diversity and the Arts: Final Report. Dublin: Create-the National Development Agency for Collaborative Arts and Arts Council, 2009. http://www.ccp.ie/files/p_20120712114200Cultural%20Diversity%20and%20the%20Arts%20Research%20Project.pdf. Accessed 20 January 2015.
Daniel Jewesbury, Jagtar Singh, and Sarah Tuck. Cultural Diversity and the Arts: Language and Meanings. Dublin: Arts Council and Office of the Minister for Integration, 2010. http://www.artscouncil.ie/uploadedFiles/Main_Site/Content/Artforms_and_Practices/Arts_Participation_pages/Cultural_Diversity_language_meanings.pdf Accessed 20 January 2015.
Secondary Sources and Resource Guides
Bisi Adigun. ‘Arambe Productions: An African’s response to the recent portrayal of the fear gorm in Irish drama’, in Performing Global Networks, Eds. Karen Fricker & Ronit Lentin. Newcastle: Cambridge Scholars Press, 2007, 52-66.
Olabisi Adigun. ‘An Irish Joke, a Nigerian Laughter’, in The Power of Laughter: Comedy and Contemporary Irish Theatre, ed. Eric Weitz. Dublin: Carysfort Press, 2004, 76-86.
Kunle Animashaun. ‘Stand-up comedy in a multicultural setting: Between a raw nerve and a funny bone’ in For the Sake of Sanity: Doing things with humour in Irish performance, ed. Eric Weitz. Dublin: Carysfort Press 2014.
Matthew Causey. ‘Jus Soli/Jus Sanguinis: The Biopolitics of Irishness,’ in Crossroads: Performance Studies and Irish Culture. Houndsmill, Basingstoke, Hampshire: Palgrave Macmillan, 2009, 153-165.
Pilar Vilair-Argáiz. Literary Visions of Multicultural Ireland: The Immigrant in Contemporary Irish Literature. Manchester: Manchester University Press, 2014.
Kathleen Gough. Kinship and Performance in the Black and Green Atlantic: Haptic Allegories. New York: Routledge, 2014 (See Chapter 6).
Jason King. ‘Ulysses, the Citizenship Referendum, and the Bloomsday Centenary,’ 172-186. Memory Ireland. v. VI . James Joyce and Cultural Memory. Eds. Oona Frawley and Katherine O’Callaghan. Syracuse: Syracuse University Press, 2014, 172-186.
----------------------‘Irish Multicultural Fiction: Metaphors of Miscegenation and Interracial Romance’, in Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation, eds. James Byrne, Padraig Kirwin, and Michael O’Sullivan. New York: Peter Lang, 2009, 159-178.
---------------------‘Beyond Ryanga: The Image of Africa in Contemporary Irish Theatre,’ in Echoes Down the Corridor- Irish Theatre: Past, Present and Future, eds. Riana O’Dwyer and Patrick Lonergan. Dublin: Carysfort Press, 2007, 153-168.
------------------‘Black Saint Patrick Revisited: Calypso’s ‘Tower of Babel’ and Culture Ireland as Global Networks, in Performing Global Networks, Eds. Karen Fricker & Ronit Lentin. Newcastle: Cambridge Scholars Press, 2007, 38-51.
------------------‘Black Saint Patrick: Irish Interculturalism in Theoretical Perspective and Theatre Practice’, in Global Ireland, Eds. Ondrej Pilný, and Clare Wallace. Prague: Litteraria Pragensia, 2005, 45-57.
--------------------‘Interculturalism and Irish Theatre: The Portrayal of Immigrants on the Irish Stage’, Irish Review, no. 33 (Spring 2005): 23-39.
Jason King and Piaras MacÉinri, Where is Home? An Educational Resources on Refugees in International/Irish Perspective. Dublin: Calypso Productions, 2005.
Jason King and George Seremba. ‘Canadian, Irish and Ugandan Theatre Links: An
Interview with George Seremba’, Canadian Journal of Irish Studies, 31.1 (2005): 117-121.
Charlotte McIvor and Matthew Spangler, eds. Staging Intercultural Ireland: Plays and Practitioner Perspectives. Cork: Cork University Press, 2014.
Charlotte McIvor. ‘Intercultural Masculinities in the Contemporary Irish Theatre’, in Gendering Ireland: c. 1880-2012, eds. Rebecca Barr, Sarah-Anne Buckley, and Laura Kelly. Bern: Peter Lang, forthcoming.
-----------------------‘White Irish Male Playwrights and the Immigrant Experience Onstage’, in Literary visions of multicultural Ireland: The immigrant in contemporary Irish literature, edited by Pilar Vilair-Argáiz, Manchester: Manchester University Press, 2014, 37-49.
-----------------------‘Essences of Social Change: City Fusion, Interculturalism and the Dublin’s St. Patrick Day in the “new” Ireland’, Public, Issue 45: Art and Civic Spectacle (Fall 2012): 180-192.
------------------------‘Staging the “New Irish”: Interculturalism and the Future of the Post-Celtic Tiger Irish Theatre’, Modern Drama 54.3 (Fall 2011): 310-332.
-----------------------‘“I’m Black and I’m Proud”: Breakfast on Pluto, Ruth Negga, and Invisible Irelands’, InVisible Culture: An Electronic Journal for Visual Culture, Issue 13: After Postcolonialism? (2009): 22-36.
Pete Mullineaux. Just A Second!: Exploring Development Issues Through Drama and Theatre. Dublin: Afri, Action From Ireland, 2014.
Sinead Moynihan. Other People’s Diasporas: Negotiating Race in Contemporary Irish and Irish-American Culture. Syracuse: Syracuse University Press, 2013. (See Chapter 3).
Emer O’Toole. ‘Cultural capital in intercultural theatre: A study of Pan Pan theatre company’s The Playboy of the Western World’, International Journal of Translation Studies, 20 (2013): 407-426.
Loredana Salis. Stage Migrants: Representation of the Migrant Irish Other in Modern Irish Drama. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.
Matthew Spangler. ‘The New Irish in Irish Theatre: Arambe Productions and Irish/West African Performance’, SIAR: The Journal of the Western Institute Of Irish Studies 2.1 (2008): 31-47.
------------------------‘Winds of Change: Bloomsday, Immigration, and "Aeolus" in Street Theater,’ James Joyce Quarterly 45.1 (2007): 47-67.
Brian Singleton. Masculinities and the Contemporary Irish Theatre. Houndsmill, Basingstoke, Hampshire: Palgrave Macmillan, 2011. (See Chapters 2 and 6).
Sarah L. Townsend. ‘Cosmopolitanism at Home: Ireland's Playboys from Celtic Revival to Celtic Tiger’, Journal of Modern Literature 34.2 (Winter 2011): 45-64.
Elisa Joy White. Modernity, Freedom, and the African Diaspora: Dublin, New Orleans, Paris. Bloomington and Indianapolis: Indiana University Press, 2012. (See Chapter 3).
If you have corrections or additions, please do not hesitate to contact [email protected] and [email protected]
(Includes playwright, title, producing company and year of premiere/production)
Donal O’Kelly. Asylum! Asylum! Abbey Theatre. (1994)*
Paul Mercier. Native City. Passion Machine. (1998)
Donal O’Kelly. Farawayan. Calypso Productions. (1998)
Joe O’Byrne. It Come Up Sun. Passion Machine. (2000)
Eithne McGuinness. Limbo. (2001)
Roddy Doyle. Guess Who’s Coming for the Dinner. Calypso Productions. (2001)
Ken Harmon. Done Up Like A Kipper. Abbey Theatre. (2002)*
Jim O’Hanlon. Buddhist of Castleknock. Fishamble: The New Play Company. (2002)*
Devised by the company. Steps. Upstate Theatre Project. (2002)
Ola Rotimi. The Gods Are Not To Blame. Arambe Productions. (2003)
Charlie O’Neill. Hurl. Barabbas. (2003)*
Devised by the company. African Voices. Project Arts Centre. (2003)**
Maeve Ingolsby. Mixing it on the Mountain. Calypso Productions/Tower of Babel. (2003)
Athol Fugard. Master Harold and the Boys. Calypso Productions. (2004)
Donal O’Kelly. The Cambria. Benbo Productions (Formerly Donal O’Kelly Productions). (2005)*
Sonja Linden. I Have Before Me A Remarkable Document Given To Me By A Young Lady From Rwanda. Calypso Productions. (2005)
Jimmy Murphy. The Kings of the Kilburn High Road. Arambe Productions. (2006)
Dermot Bolger. The Townlands of Brazil. axis: Ballymun. (2006)
Bisi Adigun. Once Upon A Time & Not So Long Ago. (2006)*
Donal O’Kelly. Operation Easter. Calypso Productions. (2006)
Bisi Adigun and Roddy Doyle. The Playboy of the Western World: A New Version. Arambe Productions/Abbey Theatre. (2007)
Ama Ata Aidoo. The Dilemma of a Ghost. Arambe Productions. (2007)
Paul Meade. Mushroom. Storyteller’s Theatre. (2007)*
Declan Gorman. At Peace. Upstate Theatre Project. (2007)
Natalia Kostrewza. More Light. Office Box Theatre. (2007)
Zulu Sofola. Wedlock of the Gods. Camino Productions. (2007)
Athol Fugard. Sizwe Bansi is Dead. Camino Productions. (2008)
Charlie O’Neill. Dodgems. CoisCéim Dance Theatre. (2008)
JC DeGraft. Through A Film Darkly. Arambe Productions. (2008)
Phillip Ridley. Fairytaleheart. Calypso Productions/Tower of Babel. (2008)
The Gombeens (Miquel Barreto and Jonathan Gunning). Stories of a Yellow Town. (2008)
Victoria Fradgely. Never After. Tabs Theatre. (2009)
Fiona Quinn. Voyage of the Orphans. County Limerick Youth Theatre. (2009)
Devised by the company. Journey from Babel. Upstate Theatre Project. (2009)
Bisi Adigun. The Playboy of the Sunny South East. Waterford Youth Arts. (2009)
Radosław Paczocha. Scent of Chocolate. Polish Theatre Ireland. (2010)
Noelia Ruiz. The Cappuccino Culture. Smock Alley Theatre. (2010)
Michael Collins. Same Difference World Apart. Traveller Wagon Wheel Theatre Company. (2010)
Bisi Adigun. The Butcher Babes. Arambe Productions. (2010)
Kunle Animashaun. Pitfalls. Camino Productions. (2010)
Devised by the company. Chesslaugh Mewash. Polish Theatre Ireland. (2011)
Devised by the company. The Mango Tree. Upstate Theatre Project. (2011)
Kunle Animashaun. Drumbeats. Camino Productions. (2012)
Alice Coghlan. Sylvia’s Quest. Wonderland Productions. (2012)
Sawa Le! Arts Collective Theatre. On Our Way. Sawa Le! Arts Collective Theatre. (2012)
Radosław Paczocha. Delta Phase. Polish Theatre Ireland. (2012)
Bisi Adigun. The Paddies of Parnell Street. Arambe Productions. (2013)
Julia Holewińska. Foreign Bodies. Polish Theatre Ireland. (2013)
Julia Holewińska. Bubble Revolution. Polish Theatre Ireland. (2013)
Mirjana Rendulic. Broken Promise Land. Stones Throw Theatre. (2013)*
Devised by the company. Document. Abbey Theatre and Justice for the Undocumented. (2013)
Devised by the company. Except Me. Clondalkin Towers Drama Group. (2013/2014)
Devised by the company. Fragments. Tallaght Community Arts. (2014)
Devised by the company. Change Deployed. From the Inside Out, Tallaght Community Arts. (2014)
Delphine Coudray. It Doesn’t Rub Off. Oulala Productions. (2014)
Grace Harrison. The Coping Class. Grae Eagle Theatre Company. (2014)
Kunle Animashaun. A Shadow from the Past. Tallaght Community Arts. (2014)
*Denotes published.
** While not an Arambe production, this piece was presented by a group of artists led by Bisi Adigun, many of whom would continue to work with Arambe after its formation.
Companies
(Companies listed have been formed on the basis of migrant/intercultural themes or their output has engaged significantly with these themes since the mid-1990s)
Arambe Productions [2003-present]
http://www.arambeproductions.com
Calypso Productions [1993-2008]
Tower of Babel [2002-2008]
http://www.irishplayography.com/company.aspx?companyid=24
http://homepage.eircom.net/~calypso/about.html
Camino Productions [1998-present]
https://www.facebook.com/pages/Camino-Productions/129708607131741
Polish Theatre Ireland [2008-present]
https://polishtheatre.wordpress.com
Sawa Le! Arts Collective Theatre [2012-present]
https://www.facebook.com/pages/Sawa-Le-Arts-Collective-Theatre/384869394926407
Upstate Theatre Project [1997-present]
Louth International Theatre Project [2009-2011]
http://upstate.ie
Community Arts Projects/Initiatives
St. Patrick’s Festival (City Fusion) [2007-present]
http://www.stpatricksfestival.ie/community
Spirasi [2005-2007]
http://spirasi.ie/art/index.shtml
DRA Youth Theatre [2012-2013]
http://publicspaceperformance.com/projects.html
Friars’ Gate Side by Side Integration Programme [2012-present]
http://www.friarsgate.ie
From the Inside Out, Tallaght Community Arts [2014-present]
https://www.youtube.com/watch?v=73OAvwt6Kqk
Policy Documents
Arts Council. Cultural Diversity and the Arts: Policy and Strategy. 2010. http://www.artscouncil.ie/uploadedFiles/Main_Site/Content/Artforms_and_Practices/Arts_Participation_pages/Cultural-diversity-and-the-arts-policy%20and%20strategy.pdf. Accessed 20 January 2015.
Deirdre Healy. Artists of Distinction: Mapping Survey of Ethnic Minority Artists in Ireland. Dublin: Creative Activity for Everyone, 2002.
Daniel Jewesbury, Jagtar Singh, and Sarah Tuck. Cultural Diversity and the Arts: Final Report. Dublin: Create-the National Development Agency for Collaborative Arts and Arts Council, 2009. http://www.ccp.ie/files/p_20120712114200Cultural%20Diversity%20and%20the%20Arts%20Research%20Project.pdf. Accessed 20 January 2015.
Daniel Jewesbury, Jagtar Singh, and Sarah Tuck. Cultural Diversity and the Arts: Language and Meanings. Dublin: Arts Council and Office of the Minister for Integration, 2010. http://www.artscouncil.ie/uploadedFiles/Main_Site/Content/Artforms_and_Practices/Arts_Participation_pages/Cultural_Diversity_language_meanings.pdf Accessed 20 January 2015.
Secondary Sources and Resource Guides
Bisi Adigun. ‘Arambe Productions: An African’s response to the recent portrayal of the fear gorm in Irish drama’, in Performing Global Networks, Eds. Karen Fricker & Ronit Lentin. Newcastle: Cambridge Scholars Press, 2007, 52-66.
Olabisi Adigun. ‘An Irish Joke, a Nigerian Laughter’, in The Power of Laughter: Comedy and Contemporary Irish Theatre, ed. Eric Weitz. Dublin: Carysfort Press, 2004, 76-86.
Kunle Animashaun. ‘Stand-up comedy in a multicultural setting: Between a raw nerve and a funny bone’ in For the Sake of Sanity: Doing things with humour in Irish performance, ed. Eric Weitz. Dublin: Carysfort Press 2014.
Matthew Causey. ‘Jus Soli/Jus Sanguinis: The Biopolitics of Irishness,’ in Crossroads: Performance Studies and Irish Culture. Houndsmill, Basingstoke, Hampshire: Palgrave Macmillan, 2009, 153-165.
Pilar Vilair-Argáiz. Literary Visions of Multicultural Ireland: The Immigrant in Contemporary Irish Literature. Manchester: Manchester University Press, 2014.
Kathleen Gough. Kinship and Performance in the Black and Green Atlantic: Haptic Allegories. New York: Routledge, 2014 (See Chapter 6).
Jason King. ‘Ulysses, the Citizenship Referendum, and the Bloomsday Centenary,’ 172-186. Memory Ireland. v. VI . James Joyce and Cultural Memory. Eds. Oona Frawley and Katherine O’Callaghan. Syracuse: Syracuse University Press, 2014, 172-186.
----------------------‘Irish Multicultural Fiction: Metaphors of Miscegenation and Interracial Romance’, in Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation, eds. James Byrne, Padraig Kirwin, and Michael O’Sullivan. New York: Peter Lang, 2009, 159-178.
---------------------‘Beyond Ryanga: The Image of Africa in Contemporary Irish Theatre,’ in Echoes Down the Corridor- Irish Theatre: Past, Present and Future, eds. Riana O’Dwyer and Patrick Lonergan. Dublin: Carysfort Press, 2007, 153-168.
------------------‘Black Saint Patrick Revisited: Calypso’s ‘Tower of Babel’ and Culture Ireland as Global Networks, in Performing Global Networks, Eds. Karen Fricker & Ronit Lentin. Newcastle: Cambridge Scholars Press, 2007, 38-51.
------------------‘Black Saint Patrick: Irish Interculturalism in Theoretical Perspective and Theatre Practice’, in Global Ireland, Eds. Ondrej Pilný, and Clare Wallace. Prague: Litteraria Pragensia, 2005, 45-57.
--------------------‘Interculturalism and Irish Theatre: The Portrayal of Immigrants on the Irish Stage’, Irish Review, no. 33 (Spring 2005): 23-39.
Jason King and Piaras MacÉinri, Where is Home? An Educational Resources on Refugees in International/Irish Perspective. Dublin: Calypso Productions, 2005.
Jason King and George Seremba. ‘Canadian, Irish and Ugandan Theatre Links: An
Interview with George Seremba’, Canadian Journal of Irish Studies, 31.1 (2005): 117-121.
Charlotte McIvor and Matthew Spangler, eds. Staging Intercultural Ireland: Plays and Practitioner Perspectives. Cork: Cork University Press, 2014.
Charlotte McIvor. ‘Intercultural Masculinities in the Contemporary Irish Theatre’, in Gendering Ireland: c. 1880-2012, eds. Rebecca Barr, Sarah-Anne Buckley, and Laura Kelly. Bern: Peter Lang, forthcoming.
-----------------------‘White Irish Male Playwrights and the Immigrant Experience Onstage’, in Literary visions of multicultural Ireland: The immigrant in contemporary Irish literature, edited by Pilar Vilair-Argáiz, Manchester: Manchester University Press, 2014, 37-49.
-----------------------‘Essences of Social Change: City Fusion, Interculturalism and the Dublin’s St. Patrick Day in the “new” Ireland’, Public, Issue 45: Art and Civic Spectacle (Fall 2012): 180-192.
------------------------‘Staging the “New Irish”: Interculturalism and the Future of the Post-Celtic Tiger Irish Theatre’, Modern Drama 54.3 (Fall 2011): 310-332.
-----------------------‘“I’m Black and I’m Proud”: Breakfast on Pluto, Ruth Negga, and Invisible Irelands’, InVisible Culture: An Electronic Journal for Visual Culture, Issue 13: After Postcolonialism? (2009): 22-36.
Pete Mullineaux. Just A Second!: Exploring Development Issues Through Drama and Theatre. Dublin: Afri, Action From Ireland, 2014.
Sinead Moynihan. Other People’s Diasporas: Negotiating Race in Contemporary Irish and Irish-American Culture. Syracuse: Syracuse University Press, 2013. (See Chapter 3).
Emer O’Toole. ‘Cultural capital in intercultural theatre: A study of Pan Pan theatre company’s The Playboy of the Western World’, International Journal of Translation Studies, 20 (2013): 407-426.
Loredana Salis. Stage Migrants: Representation of the Migrant Irish Other in Modern Irish Drama. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.
Matthew Spangler. ‘The New Irish in Irish Theatre: Arambe Productions and Irish/West African Performance’, SIAR: The Journal of the Western Institute Of Irish Studies 2.1 (2008): 31-47.
------------------------‘Winds of Change: Bloomsday, Immigration, and "Aeolus" in Street Theater,’ James Joyce Quarterly 45.1 (2007): 47-67.
Brian Singleton. Masculinities and the Contemporary Irish Theatre. Houndsmill, Basingstoke, Hampshire: Palgrave Macmillan, 2011. (See Chapters 2 and 6).
Sarah L. Townsend. ‘Cosmopolitanism at Home: Ireland's Playboys from Celtic Revival to Celtic Tiger’, Journal of Modern Literature 34.2 (Winter 2011): 45-64.
Elisa Joy White. Modernity, Freedom, and the African Diaspora: Dublin, New Orleans, Paris. Bloomington and Indianapolis: Indiana University Press, 2012. (See Chapter 3).
If you have corrections or additions, please do not hesitate to contact [email protected] and [email protected]